http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/ The Argus /brightonfestival/brightonfestival2012/previews/ en-gb Thu, 23 May 2013 11:49:04 +0100 Thu, 23 May 2013 11:49:04 +0100 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/rssterms/ M6 nvincent@newsquest.co.uk (Nigel Vincent) webmaster@digitalmedia.newsquest.co.uk (Tim Joy) http://www.theargus.co.uk/resources/images/2225104/?type=rsslogo http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/ http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9728289.The_School_Of_Life/?ref=rss Sun, 27 May 2012 15:40:00 +0100 efdba91ed13556dce17cd822528c2ae7 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9728353.The_Hanging_Gardens_Of_Brighton/?ref=rss ]]> Fri, 25 May 2012 16:00:03 +0100 0adef30d2992605dba6328efb63567b7 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9728329.Max_and_Ivan_Are____Con_Artists/?ref=rss In his own words, Max Olesker left the 2011 Edinburgh Festival Fringe with “a gammy foot and an Edinburgh Comedy Award” after truly going the extra mile last August. ]]> Fri, 25 May 2012 15:54:16 +0100 4f6bf90a2b6b732a2f128a976764d117 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9728274.Circus_Klezmer/?ref=rss With his distinctive images of pre-war Jewish communities, from brides to fiddlers, Marc Chagall was an obvious influence on director Adrian Schvarstein’s Circus Klezmer. ]]> Fri, 25 May 2012 15:38:15 +0100 1420fae664fdea7a48cfd31008d83ff4 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9728189.Cabaret_Queens/?ref=rss Since their conception at the end of the 2000s, neo-cabaret duo Bourgeois And Maurice have needed little more than a piano and some fabulous costumes to stage a show. ]]> Fri, 25 May 2012 15:01:06 +0100 b81180f5637276b26cf55867473c8d52 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9715416.Can_We_Talk_About_This_/?ref=rss It's somewhat disconcerting for an interviewer to be told that their subject is taping their conversation, because he and many of the people featured in his work have received death threats owing to what they have said, or been accused of saying. ]]> Thu, 24 May 2012 10:00:00 +0100 1f22c7c07da40857205f5ea2023d5fc4 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9715485.Joyced_/?ref=rss There is a moment when everyone who picks up James Joyce’s masterwork Ulysses realises it is going to be a much harder read than they first thought. ]]> Thu, 24 May 2012 09:20:00 +0100 443432cd4ea34ac2c395cd82083b2b06 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9715521.A_Dirty_Martini_With_Evelyn_Waugh/?ref=rss Thu, 24 May 2012 08:40:00 +0100 efe488f48cde674eb6d85d16eec2bd3a http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9715558.The_Last_Tuesday_Society/?ref=rss When it comes to choosing his biographical subjects, cultural historian Ian Kelly seems to have two things on his mind: sex and food. ]]> Tue, 22 May 2012 16:40:00 +0100 304f2bc60b2b76b917705601281c55d7 http://www.theargus.co.uk/brightonfestival/brightonfestival2012/previews/9715454.Wasted/?ref=rss Young writers are told to tackle what they know. Kate Tempest has done exactly that for her debut play, Wasted. ]]> Mon, 21 May 2012 16:10:00 +0100 b8cb49723353971532545bb84e726a7f