Glowing miners’ lamps lowered down above the stage as lasers spun and mine head wheels whirled, casting theatrically ominous shadows across the rapt crowd at the Dome.

Bringing together historic subjects as diverse as the Night Mail, the summiting of Everest, the space race and, with their 2017 album Every Valley, the impact of coalmining and pit closures on Welsh industrial towns, Public Service Broadcasting’s music remixes BBC4-style old documentary film footage and audio with live music and projections to make compellingly immersive live performances.

Hearing miners’ oral histories juxtaposed with bullish National Coal Board advertising (“People will always need coal!”) and Richard Burton’s description of “the kings of the underworld” gave an impressionistic picture, while film of grim-faced miners descending into the pit combined with a near-deafening wall of industrial sound dramatically conveyed the awe-inspiring magnitude of this human endeavour.

They Gave Me A Lamp paid tribute to the women of mining communities, gently accompanied by vocals and accordion from Haiku Salut. All Out, in contrast, alluded to the police brutality at Orgreave.

Clad in tweed and ties, J Willgoose Esq on keyboards and guitars; “the furry fury” of extraordinary drummer Wrigglesworth; and JF Abraham on bass and flugelhorn were joined on stage by visual producer Mr B, who remixed live footage of the band with their other video clips.

Apollo 11-inspired electronica track Go! had the crowd surging up as the track built towards a climax with the euphorically mounting systems check “Records – go! Vitals – go! Guidance - go! Control – go!”

Encore Gagarin was an up-tempo funk tribute to the first cosmonaut, blending a funky bassline and hot brass doing a joyful coordinated dance routine (particularly the tenor sax player compulsively swiveling through the Twist) with two dancing astronauts lurching about like sports mascots: the crowd pogoed in delight.