About Cookies

We want you to enjoy your visit to our website. That's why we use cookies to enhance your experience. By staying on our website you agree to our use of cookies.

What's On

  • When?
  • Or

Now showing at Cineworld Brighton Brighton Marina Village,Brighton,East Sussex BN2 5UF 0871 200 2000

  • Central Intelligence
  • Gods Of Egypt
  • Independence Day: Resurgence
  • Independence Day: Resurgence 3D
  • Me Before You
  • The Conjuring 2
  • The Nice Guys
  • The Secret Life Of Pets
  • The Secret Life Of Pets 3D

Central Intelligence 3 stars

Calvin Joyner is a humble accountant, who married his sweetheart. Their high school reunion beckons and Calvin is reluctant to attend because he doesn't feel he has delivered on the promise of his formative years. Out of the blue, old classmate Robbie Weirdich gets in touch and the two men bond over a couple of drinks. It transpires that Robbie is a CIA agent, who may or may not be in possession of missile launch codes that are poised to be sold to a mysterious buyer.

  • GenreAction, Adventure, Comedy
  • CastAaron Paul, Dwayne Johnson, Kevin Hart, Amy Ryan, Danielle Nicolet.
  • DirectorRawson Marshall Thurber.
  • WriterDavid Stassen, Ike Barinholtz, Rawson Marshall Thurber.
  • CountryUS
  • Duration108 mins
  • Official sitewww.centralintelligencemovie.co.uk
  • Release01/07/2016

Underscored with a heartfelt anti-bullying message, Central Intelligence is a surprisingly sweet and goofy mismatched buddy comedy that might lack the quick-wittedness promised by its title but has good will in abundance. Surprisingly, Dwayne Johnson is gifted the lion's share of the haphazard script's one-liners and physical pratfalls. The wrestling superstar turned hulking action hero embraces his character's eccentricities with gusto, casting the typically hyperactive Kevin Hart as a relative straight man rather than the usual catalyst of on-screen tomfoolery. Winning chemistry between the two leads galvanises Rawson Marshall Thurber's picture when gags fall flat or the plot's various bluffs and double-bluffs nudge the whole enterprise alarmingly close to preposterousness. Gossamer thin romantic subplots are threaded very loosely around the subterfuge and outlandish spy games, culminating in a surprise final reel cameo that guarantees winning smiles all round as the end credits roll. Calvin Joyner (Hart) was the golden boy of his high school in 1996, winning countless awards for his sporting prowess. He proudly assumed the nickname Golden Jet and delighted classmates with his signature move: a backflip from a standing position. In sharp contrast, overweight misfit Robbie Weirdicht (Johnson) was bullied mercilessly by classmates and suffered the humiliation of being flung naked into the school gymnasium during an end of term student rally hosted by Principal Kent (Phil Reeves). Twenty years later, Calvin is a humble accountant, who has married his sweetheart, Maggie (Danielle Nicolet). Their high school reunion beckons and Calvin is reluctant to attend because he doesn't feel he has delivered on the promise of his formative years. Out of the blue, Robbie reconnects with Calvin via social media and the two men bond over a couple of drinks. It transpires that Robbie is a CIA agent, who may or may not be in possession of missile launch codes that are poised to be sold to a mysterious buyer (Thomas Kretschmann). Rival CIA agent Pamela Harris (Amy Ryan) and her colleagues Mitchell (Tim Griffin) and Cooper (Timothy John Smith) recruit Calvin because they believe Robbie is a terrorist known as the Black Badger. Torn between past and present, Calvin must deduce if he can trust Robbie or if he is being used as a pawn in a deadly conspiracy. At a sprightly 108 minutes, Central Intelligence doesn't outstay its welcome, keeping us guessing about Robbie's true motives until the explosive final frames. Thurber's script, co-written by Ike Barinholtz and David Stassen, punctuates the fractious banter with slow motion action sequences including a hilariously overblown chase around an open-plan office. Oscar nominee Ryan keeps a straight face as madness swirls around her, as a single-minded career woman trapped in a world of misbehaving men. The boundless, puppy dog energy of the film and its eager-to-please double-act ultimately proves irresistible.

Showtimes (Click time to book tickets)

Wednesday 29th June 2016
Thursday 30th June 2016

This film is also showing at:

Gods Of Egypt 2 stars

King Osiris is poised to crown his son Horus the new king of Egypt but jealous brother Set intervenes, killing the monarch and seizing the throne. He decrees that when mortals die, they will now have to pay with riches in order to pass into the afterlife. Set intends to kill his nephew but Horus' lover Hathor pleads for mercy and the new king rips out the rightful heir's eyes. Mortal thief Bek and his slave girl sweetheart Zaya join forces to overthrow Set by stealing back Horus' peepers.

  • GenreAction, Adventure, Drama, Fantasy, Historical/Period
  • CastGerard Butler, Brenton Thwaites, Nikolaj Coster-Waldau, Chadwick Boseman, Geoffrey Rush, Courtney Eaton, Elodie Yung.
  • DirectorAlex Proyas.
  • WriterMatt Sazama, Burk Sharpless.
  • CountryUS/Austral
  • Duration127 mins
  • Official sitewww.godsofegypt.movie
  • Release17/06/2016

Swords, sandals and silliness are in abundance in Alex Proyas' lumbering fantasy adventure, set in a sprawling ancient Egypt in which shape-shifting gods live side by side with awestruck mortals. According to a laconic voiceover, the deities are easily identifiable because they are taller and have "gold running through their veins". Alas, there is no gold - fool's or otherwise - running through Matt Sazama and Burk Sharpless' uneven script, which is heavy on the muscle-flexing and sibling rivalry and light on everything that matters: coherent plotting, characterisation, dramatic momentum or emotional depth. The tone is wildly uneven, careening between bombastic computer-generated spectacle, bickering romance and mismatched buddy comedy. Even the digital trickery can't find its groove. A chariot sequence is hilariously shoddy in its execution, special effects don't gel with live action elements and director Proyas insists on choreographing every bruising fight sequence with swirling camerawork and excessive slow motion. Clash Of The Titans and The Neverending Story are nostalgic reference points and an overblown tomb-raiding sequence nods to Indiana Jones when an acrobatic thief spies creepy crawlies on the floor and deadpans, "Where do you find that many scorpions?" Like so many elements in Proyas' film, they are digitally rendered and unconvincing. Benevolent King Osiris (Bryan Brown) is poised to crown his self-doubting son, Horus (Nikolaj Coster-Waldau), the new ruler of Egypt in front of an adoring throng, including his wife Isis (Rachael Blake) and Horus' lover, Hathor (Elodie Yung), the goddess of love. At the last minute, Osiris' jealous brother Set (Gerard Butler) gate-crashes the ceremony, murders the old king and seizes the throne. "Behold the fate of those who stand in my way!" bellows Set, who demands that gods and mortals bow before him. Horus attempts to avenge his father, but Set is too powerful and rips out his nephew's eyes. Humble pickpocket Bek (Brenton Thwaites) and slave girl sweetheart Zaya (Courtney Eaton) set forth to overthrow Set by stealing back Horus' peepers. The plan goes tragically awry and Bek enters into a dangerous pact with Horus to complete his mission, aided by the rightful king's grandfather, Ra (Geoffrey Rush), who shoots fiery bolts harnessed from the sun from his watchtower in the heavens. Gods Of Egypt is a morass of oiled pecs, male posturing and tiresome showdowns between exiled heroes and otherworldly creatures. Butler chews scenery with a roaring Scottish accent like a man who hasn't eaten for months, while Coster-Waldau and Thwaites are bland and possess no palpable screen chemistry. During one of their awkward verbal jousts, Thwaites questions if his hunky co-star is being funny. "You think I put any effort into trying to amuse you?" responds Coster-Waldau. Gods Of Egypt certainly doesn't muster any effort to entertain us.

Showtimes (Click time to book tickets)

Tuesday 28th June 2016

Independence Day: Resurgence 2 stars

It has been 20 years since US President Thomas J Whitmore issued his rallying cry to repel alien invaders. Following the devastating showdown, the United Nations establishes a new early warning program named Earth Space Defense (ESD), which should alert us to future incursions by hostile extra-terrestrials. We are painfully unaware that the aliens from the initial attack sent a distress signal to the rest of their battalion before their defeat and more powerful aliens are poised to storm the planet.

  • GenreAction, Science Fiction, Thriller
  • CastBill Pullman, Jeff Goldblum, Maika Monroe, James Vanderbilt, Liam Hemsworth, William Fichtner, Travis Tope.
  • DirectorRoland Emmerich.
  • WriterNicolas Wright, James A Woods, Dean Devlin, Roland Emmerich.
  • CountryUS
  • Duration120 mins
  • Official sitewww.foxmovies.com/movies/independence-day-resurgence
  • Release23/06/2016

During the calm before the digital effects storm in Independence Day: Resurgence, Jeff Goldblum's quixotic scientist stares slack-jawed at an approaching alien mothership and gasps, "That's definitely bigger than the last one". Those words encapsulate the bombastic sequel to Roland Emmerich's 1996 sci-fi blockbuster, which famously blew up The White House as a symbol of extra-terrestrial hostility. Second time around, the German director isn't content with razing iconic buildings in Washington D.C. He deposits the whole of Dubai including the spearlike Burj Khalifa skyscraper on top of London, flattening landmarks with whooping abandon, then proceeds to pulverise America's eastern coast. Restraint isn't in the film's limited vocabulary and repeatedly, Emmerich and his army of special effects wizards conjure wanton destruction on a grand scale. With the benefit of this state-of-the-art trickery, eye-popping 3D and immersive sound, Independence Day: Resurgence should be a pulse-quickening thrill ride. So it comes as a crushing disappointment that the second film lacks the roughly hewn excitement and charm of its predecessor. Critically, the five scriptwriters have neglected to provide us with characters to care about before they unleash otherworldly hell upon the third rock from the sun. It has been 20 years since US President Thomas J Whitmore (Bill Pullman) issued his rallying cry to the entrenched human race. In the aftermath, survivors salvaged the remains of fallen alien technology to create hybrid weapons systems. We also initiated the Earth Space Defense (ESD) under the direction of David Levinson (Goldblum) as an early warning system against future incursions by hostile extra-terrestrials. On the eve of the July 4 celebrations, a hulking otherworldly destroyer enters our atmosphere in response to a distress call from the fallen fleet. Current US President Elizabeth Lanford (Sela Ward) commands elite pilots to take to the skies, including Dylan Hiller (Jessie Usher), orphaned pals Jake Morrison (Liam Hemsworth) and Charlie Miller (Travis Tope), whose parents perished during the failed first invasion and Chinese golden girl Rain (Angelababy). "It's the fourth of July," bellows Dylan as he spearheads the rebellion, "so show 'em some fireworks!" On the ground, Levinson searches for a scientific miracle aided by Whitmore's plucky daughter Patricia (Maika Monroe), French psychiatrist Dr Catherine Marceaux (Charlotte Gainsbourg), African warlord Dikembe Umbutu (Deobia Oparei) and Area 51 boffin Dr Brakish Okun (Brent Spiner), who suffers from the human-alien residual psychic condition. Independence Day: Resurgence lazily embraces disaster movie cliches including one mawkish subplot involving Levinson's father (Judd Hirsch), a school bus of stricken children and a dog. Performances struggle to make an impact above the din of pyrotechnics and a rumbustious orchestral score. Pivotal characters, who are clearly marked for death, serve their perfunctory purpose, blatantly teeing up a third instalment that will hopefully take another 20 years before it sees the flickering light of a cinema screen.

Showtimes (Click time to book tickets)

Tuesday 28th June 2016
Wednesday 29th June 2016
Thursday 30th June 2016

This film is also showing at:

Independence Day: Resurgence 3D 2 stars

It has been 20 years since US President Thomas J Whitmore issued his rallying cry to repel alien invaders. Following the devastating showdown, the United Nations establishes a new early warning program named Earth Space Defense (ESD), which should alert us to future incursions by hostile extra-terrestrials. We are painfully unaware that the aliens from the initial attack sent a distress signal to the rest of their battalion before their defeat and more powerful aliens are poised to storm the planet.

  • GenreAction, Science Fiction, Thriller
  • CastBill Pullman, Jeff Goldblum, Maika Monroe, Liam Hemsworth, William Fichtner, Travis Tope.
  • DirectorRoland Emmerich.
  • WriterNicolas Wright, James Vanderbilt, James A Woods, Dean Devlin, Roland Emmerich.
  • CountryUS
  • Duration120 mins
  • Official sitewww.foxmovies.com/movies/independence-day-resurgence
  • Release23/06/2016

During the calm before the digital effects storm in Independence Day: Resurgence, Jeff Goldblum's quixotic scientist stares slack-jawed at an approaching alien mothership and gasps, "That's definitely bigger than the last one". Those words encapsulate the bombastic sequel to Roland Emmerich's 1996 sci-fi blockbuster, which famously blew up The White House as a symbol of extra-terrestrial hostility. Second time around, the German director isn't content with razing iconic buildings in Washington D.C. He deposits the whole of Dubai including the spearlike Burj Khalifa skyscraper on top of London, flattening landmarks with whooping abandon, then proceeds to pulverise America's eastern coast. Restraint isn't in the film's limited vocabulary and repeatedly, Emmerich and his army of special effects wizards conjure wanton destruction on a grand scale. With the benefit of this state-of-the-art trickery, eye-popping 3D and immersive sound, Independence Day: Resurgence should be a pulse-quickening thrill ride. So it comes as a crushing disappointment that the second film lacks the roughly hewn excitement and charm of its predecessor. Critically, the five scriptwriters have neglected to provide us with characters to care about before they unleash otherworldly hell upon the third rock from the sun. It has been 20 years since US President Thomas J Whitmore (Bill Pullman) issued his rallying cry to the entrenched human race. In the aftermath, survivors salvaged the remains of fallen alien technology to create hybrid weapons systems. We also initiated the Earth Space Defense (ESD) under the direction of David Levinson (Goldblum) as an early warning system against future incursions by hostile extra-terrestrials. On the eve of the July 4 celebrations, a hulking otherworldly destroyer enters our atmosphere in response to a distress call from the fallen fleet. Current US President Elizabeth Lanford (Sela Ward) commands elite pilots to take to the skies, including Dylan Hiller (Jessie Usher), orphaned pals Jake Morrison (Liam Hemsworth) and Charlie Miller (Travis Tope), whose parents perished during the failed first invasion and Chinese golden girl Rain (Angelababy). "It's the fourth of July," bellows Dylan as he spearheads the rebellion, "so show 'em some fireworks!" On the ground, Levinson searches for a scientific miracle aided by Whitmore's plucky daughter Patricia (Maika Monroe), French psychiatrist Dr Catherine Marceaux (Charlotte Gainsbourg), African warlord Dikembe Umbutu (Deobia Oparei) and Area 51 boffin Dr Brakish Okun (Brent Spiner), who suffers from the human-alien residual psychic condition. Independence Day: Resurgence lazily embraces disaster movie cliches including one mawkish subplot involving Levinson's father (Judd Hirsch), a school bus of stricken children and a dog. Performances struggle to make an impact above the din of pyrotechnics and a rumbustious orchestral score. Pivotal characters, who are clearly marked for death, serve their perfunctory purpose, blatantly teeing up a third instalment that will hopefully take another 20 years before it sees the flickering light of a cinema screen.

Showtimes (Click time to book tickets)

Tuesday 28th June 2016
Wednesday 29th June 2016
Thursday 30th June 2016

This film is also showing at:

Me Before You 3 stars

William Traynor is a London playboy who harks from privileged stock. Fate deals him a cruel blow and William is left paralysed. He returns to his ancestral home and relinquishes his lust for life. In order to raise his spirits, Will's parents advertise for a carer and companion for their son and former tea shop waitress Louisa Clark answers the call. She buoys Will's spirits with a series of excursions. Friendship between the pair threatens to blossom into romance but Louisa already has a boyfriend.

  • GenreAdaptation, Drama, Romance
  • CastEmilia Clarke, Sam Claflin, Charles Dance, Vanessa Kirby.
  • DirectorThea Sharrock.
  • WriterJojo Moyes.
  • CountryUS
  • Duration110 mins
  • Official sitewww.mebeforeyoumovie.com
  • Release03/06/2016

Adapted from the bestselling novel by Jojo Moyes, Me Before You is a tear-stained romance about two lost souls, who find each other when they least expect it. The trajectory of this improbable love affair will be achingly familiar to anyone who has sobbed through The Fault In Our Eyes, Paper Towns and The Choice, and director Thea Sharrock clearly telegraphs each shameless tug of the heartstring. Moyes' screenplay adaptation omits some of the meatier content from her novel, like the heart-breaking reason her heroine is reluctant to leave home and explore the world. However, the crass depiction of class, which initially divides the characters, is still intact. Thus, the rich are carefree, fabulously attired and enjoy classical music and opera, while the working class are happily enslaved to denim and wouldn't know Brahms from Bartok. William Traynor (Sam Claflin) is a handsome high-flyer in London, who harks from privileged stock. His parents, Steven (Charles Dance) and Camilla (Janet McTeer), own a country pile including a crumbling castle and he jets off on expensive extreme sports holidays with his pretty girlfriend, Alicia (Vanessa Kirby). Fate deals William a cruel blow and he is left paralysed. He returns to his ancestral home and relinquishes his lust for life. In order to raise his spirits, the Traynors advertise for a companion for their son and misfit Louisa Clark (Emilia Clarke), who has just lost her job as a waitress at The Buttered Bun Cafe, answers the call. She lives in the nearby village with her unemployed father Bernard (Brendan Coyle), mother Josie (Samantha Spiro), sister Katrina (Jenna Coleman) and the rest of her extended family While hunky male nurse Nathan (Stephen Peacocke) tends to Will's physical needs, Louisa attempts to buoy his spirits with a series of excursions to the races and a classical music concert. An unlikely friendship threatens to blossom into romance, but Louisa already has a fitness-obsessed boyfriend, Patrick (Matthew Lewis). "You only get one life, Clark, and it's your responsibility to live it to the fullest," Will counsels Louisa, encouraging her to expand her horizons beyond the village and, indeed, Patrick. Me Before You glides serenely along its linear narrative. Fans of the book should snuffle through a couple of tissues as relationships unravel and good-looking cast members cry perfect tears in close-up. The morally complex issue of assisted suicide is broached in the most inoffensive and simplistic terms, offering one brief voice of dissent - "It's no better than murder!" - who is noticeably absent for the rest of the film. Despite the manifold failings of the script, luminous lead actors Clarke and Claflin kindle palpable sparks of on-screen chemistry that compel us to root for them, even when common sense tells us the relationship is destined to end in heartbreak.

Showtimes (Click time to book tickets)

Tuesday 28th June 2016
Wednesday 29th June 2016
Thursday 30th June 2016

This film is also showing at:

The Conjuring 2 3 stars

Paranormal investigators Ed and Lorraine have gone into self-imposed exile to recover - emotionally and spiritually - from their first brush with malevolent spirits. They are compelled to return to active duty by terrified single mother Peggy Hodgson, who claims that her house in north London is in the grip of a dark, invisible force. The Warrens travel to England and meet Peggy and her four daughters, who are clearly spooked by events in their home.

  • GenreHistorical/Period, Horror, Thriller
  • CastPatrick Wilson, Vera Farmiga, Madison Wolfe, Simon McBurney, Frances O'Connor.
  • DirectorJames Wan.
  • WriterChad Hayes, Carey Hayes, James Wan, David Johnson.
  • CountryUS
  • Duration134 mins
  • Official sitewww.theconjuring2.com
  • Release13/06/2016

Fact and outlandish fiction are repeatedly smudged in James Wan's stylish sequel to his 2013 supernatural horror, which dramatised one of the real-life cases of paranormal investigators Ed and Lorraine Warren. Like its predecessor, The Conjuring 2 juxtaposes archive photographs and the Warrens' taped interviews over the end credits to convince us that the spooky shenanigans orchestrated on screen are anchored in unsettling reality. Only the gullible would submit wholeheartedly to the film's gargantuan suspensions of belief. Subtlety often eludes Wan, like a blast on the soundtrack of London Calling by The Clash when the storyline moves to the capital, and he's rather fond of shooting impending doom from the point of view of an evil spirit creeping up on its victim. Artistic flourishes aside, the sequel draws inspiration from the notorious case of the Enfield poltergeist, which sent shivers down the spines of north Londoners in the late 1970s. To this day, the veracity of the haunting is shrouded in mystery. However, the four screenwriters of The Conjuring 2 are content to use one family's terror as a foundation for the usual array of horror tropes: creaking floorboards, a child speaking in tongues, inverted crosses, and ghostly figures emerging from the darkness. In 1976, Ed and Lorraine Warren (Patrick Wilson, Vera Farmiga) visit the Amityville house where Ronald DeFeo Jr was convicted of killing six members of his family. "This is as close to Hell as I ever want to get," sobs Lorraine after she enters a trance to relive the tragic night. The Warrens go into self-imposed exile to devote more time to their teenage daughter, Judy (Sterling Jerins). The church compels the Warrens to return to active service to investigate claims from a terrified single mother, Peggy Hodgson (Frances O'Connor), that her house in Enfield is in the grip of a dark force. Ed and Lorraine travel to rain-swept England to interview Peggy and her four children, Margaret (Lauren Esposito), Janet (Madison Wolfe), Billy (Benjamin Haigh) and Johnny (Patrick McAuley). When youngest daughter Janet exhibits signs of demonic possession, Ed and Lorraine battle with the lingering phantom of an old man (Bob Adrian) for the Hodgsons' souls. The Conjuring 2 feels overlong and lacks the tight emotional bond of the first film's besieged family. Wilson and Farmiga ease back into familiar roles while youngster Wolfe is impressive, including one unsettling scene of her character shuddering with fear beneath bedsheets as a spirit hovers above her. The script dissipates tension with occasional flecks of deadpan humour, like when two police constables witness a chair moving on its own around the Hodgson home and a WPC remarks, "This is a bit beyond us." It's certainly not beyond audiences, who enjoy gentle jump-out-of-their-seat scares as they nervously bite nails in the dark of a cinema.

Showtimes (Click time to book tickets)

Tuesday 28th June 2016
Wednesday 29th June 2016
Thursday 30th June 2016

This film is also showing at:

The Nice Guys 4 stars

Jackson Healy is a hired heavy in 1977 Los Angeles, who beats up perverts and stalkers with his knuckleduster. A young woman called Amelia Kuttner pays him to scare off low-rent private detective Holland March, who has been asking for her around town. The first meeting of these two men ends in bloodshed and broken bones, but Jackson and Holland reluctantly agree to work together when Amelia subsequently vanishes without trace.

Good things come to those who wait. Every decade, filmmaker Shane Black unspools a deliciously off-kilter buddy action comedy that plays fast and loose with the conventions of the genre. In 1996, he penned The Long Kiss Goodnight starring Geena Davis and Samuel L Jackson, which metamorphosed a picture-perfect suburban mom into a finely honed killing machine. In 2005, he repeated the feat and also sat in the director's chair for the potty-mouthed murder mystery Kiss Kiss Bang Bang headlining Robert Downey Jr and Val Kilmer. Now, Black strikes it lucky for a third time with the unlikely comic pairing of Russell Crowe and Ryan Gosling in The Nice Guys, a hare-brained missing person's caper set in sexually liberated 1977 Los Angeles. The script delivers big, throaty laughs from the cynical opening - "Marriage is buying a house with someone you hate!" - and adroitly juggles physical and verbal humour, inflicting injuries and indignities on his leading men for our sport and entertainment. It's a groovy kind of bromantic love and Crowe and Gosling relish the to and fro of the snappy dialogue as they gleefully contend with the fashions of the era. Jackson Healy (Crowe) is a hired heavy, who beats up perverts and stalkers with his knuckleduster. A young woman called Amelia Kuttner (Margaret Qualley) pays him to scare off low-rent private detective Holland March (Gosling), who has been asking for her around town. The first meeting of these two men ends in bloodshed and broken bones, but Jackson and Holland reluctantly agree to work together when Amelia subsequently vanishes without trace. "Why don't you invite him in?" asks Holland's precocious daughter Holly (Angourie Rice) when Jackson turns up at their door. "No animals in the house, sweetheart," retorts the investigator, bearing the physical scars of their previous encounter. The breadcrumb trail of evidence leads to Amelia's fearsome mother, Judith Kuttner (Kim Basinger), who works for the United States Department of Justice and pleads with Jackson and Holland to locate and protect her child. Unfortunately, a hitman called John Boy (Matt Bomer) is also on the trail of Amelia, and Holland also needs to solve the perplexing mystery of porn actress Misty Mountains (Murielle Telio), who was apparently seen alive two days after she died in a car accident. The Nice Guys doesn't quite soar to the dizzy heights of Black's previous escapades, but he comes close, retaining an enviable ability to conjure jaw-dropping one-liners out of nowhere. Like when the central duo is detained by a police officer who is simply following the rulebook. "You know who else was just following orders? Hitler!" counters Jackson. The central plot is a morass of crosses, double crosses, bluffs and coincidences that intrigues and bamboozles, untangling itself in the closing frames with aplomb.

Showtimes (Click time to book tickets)

Tuesday 28th June 2016

The Secret Life Of Pets 3 stars

Katie shares her Manhattan apartment with a terrier named Max, who relishes the close relationship with his owner. This special bond is threatened when Katie brings home a mongrel named Duke, who she has saved from a grim fate at the local dog pound. The two pooches are forced to put their rivalry to one side when a gang of abandoned pets led by a white rabbit named Snowball launches an intense campaign of revenge against contended owners and their pets.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastLake Bell, Jenny Slate, Ellie Kemper, Tara Strong, Louis CK, Albert Brooks, Kevin Hart.
  • DirectorChris Renaud, Yarrow Cheney.
  • WriterKen Daurio, Brian Lynch, Cinco Paul.
  • CountryUS
  • Duration91 mins
  • Official sitewww.thesecretlifeofpets.co.uk
  • Release24/06/2016

Creatures great and small wreak havoc on the streets of New York City in Chris Renaud and Yarrow Cheney's colourful computer-animated romp. Employing a similar framework to Toy Story, The Secret Life Of Pets imagines what our four-legged, feathered and finned friends get up to when our backs are turned, suggesting that the fun begins when we go to work or school. A Jack Russell terrier and an affection starved mongrel replace Woody and Buzz Lightyear as the feuding central characters, whose rivalry mellows into mutual affection when they are separated from their owner. Screenwriters Ken Daurio, Brian Lynch and Cinco Paul have great fun in early scenes, revealing how a dachshund uses his owner's food mixer as a back massager or one tiny dog performs acrobatic leaps to water a hanging basket with a cock of its leg. The central concept isn't original but there's an infectious charm to every shiny frame of Renaud and Cheney's well-groomed picture, which mercilessly exploits our affection for the critters that share our homes. Katie (voiced by Ellie Kemper) lives in her Manhattan apartment with a mischievous terrier named Max (Louis CK). "Our love is stronger than words or shoes," explains Max, referring to his penchant for chewing his owner's footwear when he was a puppy in training. He is good friends with other domesticated animals and birds including a pampered Eskimo dog named Gidget (Jenny Slate), who is head over fluffy tail in love with Max, and a sardonic house cat named Chloe (Lake Bell), who nurtures a healthy disdain for anything that doesn't enrich her selfish existence. "Dog people do weird, inexplicable things," she purrs, "like they get dogs instead of cats." Max's bond with Katie is threatened when his owner brings home a lolloping mongrel named Duke (Eric Stonestreet), who she has saved from the pound. Intense rivalry spills out onto the city streets where Max and Duke fall foul of a Sphynx cat called Ozone (Steve Coogan) and are mistaken for strays by animal control officers. The snarling enemies are rescued by a maniacal white rabbit named Snowball (Kevin Hart), who pressgangs them into service in his army of unwanted animals, who live in the sewers. The Secret Life Of Pets is the brainchild of the makers of Despicable Me and Minions, and retains a similar visual style and family-friendly sense of humour. Behavioural tics of each breed are mercilessly exploited for slapstick laughs and co-directors Renaud and Cheney maintain a brisk trot to ensure young audiences don't go for walkies in the middle of the film. The main feature is accompanied by a cute animated short entitled Mower Minions in which the gibberish-spouting sidekicks tend the lawn of elderly neighbours. Alas, the diminutive do-gooders are yellow fingers and thumbs, propagating plentiful guffaws and giggles.

Showtimes (Click time to book tickets)

Tuesday 28th June 2016
Wednesday 29th June 2016
Thursday 30th June 2016

This film is also showing at:

The Secret Life Of Pets 3D 3 stars

Katie shares her Manhattan apartment with a terrier named Max, who relishes the close relationship with his owner. This special bond is threatened when Katie brings home a mongrel named Duke, who she has saved from a grim fate at the local dog pound. The two pooches are forced to put their rivalry to one side when a gang of abandoned pets led by a white rabbit named Snowball launches an intense campaign of revenge against contended owners and their pets.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastTara Strong, Lake Bell, Jenny Slate, Louis CK, Ellie Kemper, Albert Brooks, Kevin Hart.
  • DirectorChris Renaud, Yarrow Cheney.
  • WriterCinco Paul, Ken Daurio, Brian Lynch.
  • CountryUS
  • Duration91 mins
  • Official sitewww.thesecretlifeofpets.co.uk
  • Release24/06/2016

Creatures great and small wreak havoc on the streets of New York City in Chris Renaud and Yarrow Cheney's colourful computer-animated romp. Employing a similar framework to Toy Story, The Secret Life Of Pets imagines what our four-legged, feathered and finned friends get up to when our backs are turned, suggesting that the fun begins when we go to work or school. A Jack Russell terrier and an affection starved mongrel replace Woody and Buzz Lightyear as the feuding central characters, whose rivalry mellows into mutual affection when they are separated from their owner. Screenwriters Ken Daurio, Brian Lynch and Cinco Paul have great fun in early scenes, revealing how a dachshund uses his owner's food mixer as a back massager or one tiny dog performs acrobatic leaps to water a hanging basket with a cock of its leg. The central concept isn't original but there's an infectious charm to every shiny frame of Renaud and Cheney's well-groomed picture, which mercilessly exploits our affection for the critters that share our homes. Katie (voiced by Ellie Kemper) lives in her Manhattan apartment with a mischievous terrier named Max (Louis CK). "Our love is stronger than words or shoes," explains Max, referring to his penchant for chewing his owner's footwear when he was a puppy in training. He is good friends with other domesticated animals and birds including a pampered Eskimo dog named Gidget (Jenny Slate), who is head over fluffy tail in love with Max, and a sardonic house cat named Chloe (Lake Bell), who nurtures a healthy disdain for anything that doesn't enrich her selfish existence. "Dog people do weird, inexplicable things," she purrs, "like they get dogs instead of cats." Max's bond with Katie is threatened when his owner brings home a lolloping mongrel named Duke (Eric Stonestreet), who she has saved from the pound. Intense rivalry spills out onto the city streets where Max and Duke fall foul of a Sphynx cat called Ozone (Steve Coogan) and are mistaken for strays by animal control officers. The snarling enemies are rescued by a maniacal white rabbit named Snowball (Kevin Hart), who pressgangs them into service in his army of unwanted animals, who live in the sewers. The Secret Life Of Pets is the brainchild of the makers of Despicable Me and Minions, and retains a similar visual style and family-friendly sense of humour. Behavioural tics of each breed are mercilessly exploited for slapstick laughs and co-directors Renaud and Cheney maintain a brisk trot to ensure young audiences don't go for walkies in the middle of the film. The main feature is accompanied by a cute animated short entitled Mower Minions in which the gibberish-spouting sidekicks tend the lawn of elderly neighbours. Alas, the diminutive do-gooders are yellow fingers and thumbs, propagating plentiful guffaws and giggles.

Showtimes (Click time to book tickets)

Tuesday 28th June 2016
Wednesday 29th June 2016
Thursday 30th June 2016

This film is also showing at: