This latest stage version of a classic screen musical is a riot of colour with spectacular dance routines, combining grace with athletic exuberance. The show is full of songs – film familiars augmented by new ones.

Eldest brother Adam ventures into town searching for a bride. During a whirlwind courtship and marriage to Milly he omits to mention that she is expected to housekeep not only for him but also his six brothers.

Naturally friction arises through Adam’s pig-headiness and Milly’s determination to civilise the men folk. Matters are not helped by the brothers who, wishing for brides, kidnap young ladies from the town.

The production is fast moving with slick transitions between scenes – a neat touch is having actor/musicians playing on stage during the changes.

Helena Blackman’s Milly is terrific, blending feistiness with soft feminine tenderness. Blackman is blessed with a voice both strong and sweet. As Adam, Sam Attwater gives a good performance but there are times when he seems a little lightweight.

But it is the excellent dancing that lingers in the mind – all contained within a small acting area. The Social Dance, the show’s highlight, cries out to be released from its confines and given more space.