A couple of weeks ago the Connaught played host to Ross Muir’s one-man performance of The Importance of Being Oscar. The omission of the details of the two trials that Wilde faced, was covered by a programme note explaining they had taken place during the interval. The arrival of the European Arts Company has now made good that omission.

With just three actors and minimal scenery both trials were covered in detail with dialogue based on the actual words spoken in court. John O’Connor’s script was written in conjunction with Wilde’s grandson, Merlin Holland. Events recounted by counsels often left the courtroom and were given flesh as they were re-enacted.

John Gorick gave Wilde a certain dignity as he argued that art and artists were capable of a higher love of youth, regardless of social station, and that love was not soiled by the allegations made. His witty epigrams brought about his downfall when he chose to use the witness box as a platform for flippancy.

All other parts from leading counsels to rent boys were played by Rupert Mason and William Kempsell. Both gave excellent performances with varied and clearly defined characterisations that often necessitated quick changes of costume.