Caesar’s transition from benevolent democratic ruler to tyrant proves that power does corrupt.

This may be an historic tale but it still has relevance today and, as such, Nick Young could have been forgiven if he chose to set it in modern dress.

But he eschews such gimmicks by presenting the play in his trademark way, straightforward with the words working their magic. However, red gloves for blood on the assassin’s hands jars.

The small company works hard and well with several of the actors called upon to play multiple roles – in some cases to even die more than once. Fine performances abound with the main acting honours going to the four leading roles.

In the title role Richard Kettles has the noble Roman’s bearing, beneath which egotism and ambition seep out.

Jack Kristiansen’s Cassius bursts with fervent agitation as he urges other conspirators to carry out the assassination.

Joshua Crisp as Mark Anthony is impressive as he laments over Caesar’s corpse and with his Forum oration.

But it is the return to the company of Peter Goode that gives most pleasure. Previously known for comic roles, he demonstrates his versatility by giving an extraordinary and sensitive portrayal of Brutus.