Chekhov’s tragicomedy, considered to be his masterpiece, is set in pre-revolutionary Russia telling of the feckless Madame Ranevsky and her family.

Refusing to face up to reality, their beloved estate and cherry orchard is sold to pay off their debts. Once sold, all will be razed to the ground and villas built.

In the final scene, as the family prepare to move out, the sound of the trees being chopped down is heard - symbolism heralding the coming revolution and the fate of the landowning classes.

Despite the pervading air of melancholy, Bob Ryder’s direction manages to inject a lot of humour. His is a fine production, full of good performances.

Ranevsky and her selfish, snobbish brother are self-destructive characters for whom there can be little sympathy. Hazel Starns and David Peaty fully capture their flaws and weaknesses.

Chris Parke brings a more sophisticated air to the usually coarse Lopakhin, a peasant made rich through shrewd business deals, whilst Dan Dryer is full of passion as a revolutionary student.

The true essence of Chekov is rooted in Adrian Kenward’s remarkable portrayal of the unfortunate Yepikhodov whilst David Creedon delivers fine comedy through his characterisation of an impoverished neighbour.