What we watch and consume as children unites us.

And those who grew up in the early 1990s like Rebecca Humphries were particularly lucky – surrounded by the products of Disney’s golden age.

As such The Little Mermaid, Aladdin, Beauty And The Beast and The Lion King formed the basis of Humphries’s comic dissection of Disney’s oeuvre, illustrated by powerfully performed songs that stuck in the mind as much as contemporary Frozen favourite Let It Go.

The subject matter may ostensibly been about colourful cartoons, but Humphries managed to find space for mass murderers, bestiality and to examine the accusations of racism regularly levelled at Uncle Walt.

Anyone who remembers the original films may look at them slightly differently after her analysis of the kidnap and petty thieving some princes used to gain the hand of the love of their lives, who were more often than not very young girls.

Humphries’s own love of her subject matter shone through though – no-one could poke such fun at Disney without being a genuine fan, and there was very little knowing cynicism in her stories.

Although this was definitely a show for grown-up Disney fans rather than new Frozen converts, it wouldn’t be surprising if a few in the audience returned to watch some long-forgotten favourite animations when they went home.