Inbal Nelly Lewis presented 'a solo physical show without words ... a combination of butoh and mime'.

It had a wonderfully rich and moving soundtrack drawn from various sources that was vital in helping the movement create the moods.

At this performance the ambient sounds of church bells and police sirens from outside also contributed, as did the strong wind which lifted the tent flaps and creaked through the structure.

Lewis shared the stage with two props, both as integral to the piece as the artist herself. One was a needlebox, suspended, which rarely stopped spinning. The other was her extraordinarily versatile costume, which produced an endless variety of different uses and was the co-star of the show.

Lewis, a highly accomplished physical performer, was measured in her constantly expanding and contracting movement, but the gravitas of the content weighed her down.

Crucially the narrative of birth to old age, of creation, did not successfully engage on an emotional level. The parts did not make a whole and left some perplexing questions such as, why the imperative to 'Stitch It!'?; and why was the audience asked to choose a button?

Three stars