Adapting F Scott Fitzgerald’s fiercely adored 1920s American masterpiece to stage and screen has proved to be a feat marred with controversy.
Baz Lurhmann’s dazzling film in 2013 was slammed by critics, yet applauded by many for perfectly encapsulating the extravagance and recklessness of the era.
Blackeye Theatre’s stage version of The Great Gatsby, performed at the Connaught Theatre, Worthing, to a packed audience, similarly divides opinion.
With a play adapted by Stephen Sharkey, the talented cast of eight incorporate musical elements into the performance, playing instruments and singing songs from the era, which brightens up a show that at times verges on being laborious.
The stark black and white set is a curious choice. The plain chaise longue and piano don't go far towards creating scenes that are meant to be overflowing with opulence. However, using the backdrop as a projector screen is a touch of genius.
Myrtle (Stacey Ghent) brings a much-needed comedy touch but the star is bonds trader Nick Carraway (Adam Jowett). He narrates the show with a likeable charm and his realistic American accent shines up some of the others. Max Roll’s version of Jay Gatsby lacks enigmatic charm and leaves one feeling a little deflated.
But on the way out of the theatre, two women claimed they had enjoyed the show more than the book. High praise indeed.
Three stars
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