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THE classic tale of Beauty And The Beast is proving great fun for both children and parents at a venue which is set to close after this run is done.
This joint production by the venue and Talking Scarlet owes much to Patric Kearns' excellent script, which has many moments of hilarity and also brings out the magic and enchantment of one of the world's most popular fairy stories.
Harry Hart is outstanding as Beauty's friend Phillippe, the equivalent to Cinderella's love-sick admirer Buttons. He teams up with Mark Katz (Beauty's father) in some slick comedy routines, including the "he's behind you" sketch.
Caly Day, showing talent as an actress and singer, is a delightful Beauty. But Conor Baum's cursed Beast makes the biggest impact with his fiery outbursts and strong vocals, though he is less charismatic after shedding his mask and transforming into the Prince. He and Caly play off each other well, despite lacking chemistry, and share a memorable duet.
Danielle Johnson brings out the evilness and cunning of the witch Mallabelle.
Completing the cast are three teams of five girls who play the furniture.
At the performance reviewed here, Sophie Stenning was a splendid talking clock, backed up by exuberant foursome Isobel Abatan, Emma Bartram, Jess Hunt and Carla Abbott.
James Weisz excels as director, ensuring the show has zip and vigour, but the set design is a touch bland.
It is heartening that Kearns and Weisz stay faithful to the story of Belle being taken prisoner by a hideous beast in his castle to save her father's life. She befriends the castle's enchanted staff - including a teapot, candelabra and the talking clock - and ultimately realises the Beast has the heart of a prince.
Ironically, Kearns is missing the success of the first panto he has written because he is playing an Ugly Sister in Cinderella in Lincoln.
For tickets visit www.88londonroad.com. This is the last show to appear at 88 London Road, after which point the theatre will close.
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