The enthusiastic trio who performed Be Here Now started the show by bounding into a high-paced dance routine accompanied by flashing lights and pumping music.

Any illusions that this would be a laid-back roll through the Britpop years were shattered at this point – it might have been named after Oasis’ third album, but Britpop was largely passed over in favour of unadulterated pop.

Billed as a nostalgic meander through the music that the audience grew up with, Be Here Now journeyed through the 1990s and teenage rituals of outgrowing friends, playing spin the bottle and making mixtapes to woo potential lovers.

The problem with marketing a show as nostalgic, and attempting to compile a playlist that will transport the audience back to their teenage years, is that everyone’s experiences are different.

With a crowd who probably didn’t have much in common beyond being alive in the 1990s, finding suitable common ground was pretty difficult.

In order to appeal to most, a broadly generic selection was made which made the show seem less personal, but there were moments which seemed to appeal to most of the audience, so TOOT had done well with a challenging concept.

Slick production, strategically chosen props and clever costumes added to the success.