Dance artists Eleanor Sikorski and Flora Wellesley Wesley combined a contemporary style with clowning and performance art creating a unique form.

Both performers were engaging and allowed their natural reactions to the choreography to be shared with the audience, drawing us into content which would have otherwise have been alienating.

The first piece Eleanor and Flora Music was performed in silence; a strange music emerging from the movements of the two women and accidental sounds in the theatre space.

The inclusion of sheet music onstage was an interesting reference to how we translate scripts and scores into live performance.

Digging inspired by Samuel Beckett failed to hit the mark despite some interesting lighting effects. The text jolted too quickly from subject to subject, engaging with each thought only on a superficial level.

Bloody Nora! choreographed by Liz Aggiss showed off their talents to the fullest potential of the three pieces, combining bold text with startling movements to create a blend between marionettes and Punch and Judy.

The subject matter of competitiveness played well to the women's onstage relationship. They clearly relished the final piece and that energy shone through.

Three stars