A collection of rarely seen drawings by David Hockney which “encapsulate his love for life” is to go on display this autumn.

The Wolfson Gallery at Charleston, Firle, is holding the exhibition of examples of Hockney’s early works named Love Life from September 23 to March 10, 2024.

The display is named after the 86-year-old artist’s act of painting the words "Love Life" on the wall at a retrospective exhibition at the Centre Pompidou in Paris in 2017.

He said at the time: “I love my work. And I think the work has love, actually, I love life. I write it at the end of letters – ‘Love life, David Hockney’.”

The Argus: David Hockney Ossie Wearing a Fairisle Sweater 1970 Colored pencil on paper 43.18 x 35.56 cm (17 x 14 Inches) © David HockneyDavid Hockney Ossie Wearing a Fairisle Sweater 1970 Colored pencil on paper 43.18 x 35.56 cm (17 x 14 Inches) © David Hockney (Image: Fabrice Gibert)

A Charleston spokesman said: "During the formative stages of his career, Hockney's artistic brilliance manifested through his ability to capture the essence of his subjects with remarkable economy, using pencil, coloured crayon and pen and ink.

"Visitors to the exhibition will be enthralled by Hockney's depictions of everyday objects, still lifes and architectural works. From a box of matches on a table to bunches of spring onions and leeks, Hockney's works exemplify his ability to find beauty in the more intimate and seemingly ordinary aspects of life.

"Whether capturing the character of his subjects or rendering furniture and empty spaces with sensitivity and wit, Hockney's drawings capture a depth of emotion that cannot be easily replicated in grand painted portraits."

The exhibition is organised by the Holburne Museum, Bath, with many of Hockney’s drawings on loan from private collections.


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Curator Chris Stephens said: “I am so excited to present this wonderful show of master drawings, some well known and some rarely seen. I have long believed David Hockney to be one of the greatest draughtsmen of all time and I consider his drawings of the later 60s and 70s to be among the greatest works by him and, for that matter, by anyone else.”

The Argus: David Hockney Christopher Isherwood's House, Santa Monica 1966 Ink on paper 25.2 x 31.5 cm (10 x 12.25 Inches) © David HockneyDavid Hockney Christopher Isherwood's House, Santa Monica 1966 Ink on paper 25.2 x 31.5 cm (10 x 12.25 Inches) © David Hockney (Image: David Hockney)

To mark the opening weekend of Love Life Charleston is hosting artist Ian Giles’ performance A Clear Comfort.

Offering a rare opportunity to get inside Charleston’s house out of hours, this promenade performance will transport intimate audiences beyond the physical walls of Charleston and into the homes of pioneering queer artists such as filmmaker Derek Jarman’s Prospect Cottage in Dungeness; American photographer Alice Austen’s home Clear Comfort on Staten Island and trace the origins of house music in gay clubs in 1970s Chicago.

The Argus: David Hockney 1059 Balboa Blvd. 1967 Colored pencil on paper 35.56 x 45.1 cm (14 x 17.75 Inches) © David Hockney David Hockney 1059 Balboa Blvd. 1967 Colored pencil on paper 35.56 x 45.1 cm (14 x 17.75 Inches) © David Hockney (Image: Andy Johnson at AJPhotographics)

This event is commissioned and presented in partnership with Van Gogh House.

Opening concurrently with this exhibition is Osman Yousefzada. Osman’s practice revolves around modes of storytelling, merging autobiography with fiction and ritual. His work engages with experiences of migration, representation and belonging. The exhibition at Charleston explores a new body of textile work alongside works on paper, many of which are on public display for the first time.

The Argus: David Hockney, 'Dale and Mo', 1966, pencil, coloured pencil and ink on two sheets of paper, 29.8 x 65.4 (C) David Hockney David Hockney, 'Dale and Mo', 1966, pencil, coloured pencil and ink on two sheets of paper, 29.8 x 65.4 (C) David Hockney (Image: David Hockney)

Nathaniel Hepburn, director and chief executive at Charleston, said: "Made over 60 years ago, Hockney's drawings of intimate moments still resonate with a freshness and joy. It’s wonderful to see these works at Charleston – a place where art and experimental thinking have always been placed at the centre of everyday life.

“Hockney's work exemplifies these ideals, finding beauty in the ordinary moments and creating a connection to audiences and the queer experience across the generations.”