Elvis Costello pumps it up at the Dome in Brighton

Elvis Costello and the Imposters, with Charlie Sexton. Photo by Ray Di Pietro
Elvis Costello and the Imposters, with Charlie Sexton. Photo by Ray Di Pietro
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“We’re going to have big old time tonight” – so said the one-time Beloved Entertainer and great musical survivor Elvis Costello.

The formerly skinny sneering songwriter launched The Radio Soul!: The Early Songs of Elvis Costello tour at a packed out Brighton Dome on June 12.

An adoring Friday night crowd had nostalgia and snarling power-pop in mind as the gold-booted 71-year-old took the stage with two-thirds of the Attractions and a couple more cracking musicians.

Old chestnuts Mystery Dance and Lipstick Vogue sounded great powered by Seaford’ s own Pete Thomas familiar brawny beat and with Steve Nieve’s keys nicely upfront in the mix.

Texan musician, singer song-writer and long-time Dylan band member Charlie Sexton also brought plenty to the party.

Looking like David Lynch’s idea of a cool bar-room strummer, his electric guitar provided some extra clout to the trad Attractions/Imposter’s sound.

Sadly, and understandably, Costello’s voice is not quite the indestructible force it once was.

A few years ago it was still in amazing shape, and fans will remember him continuing to sing it loud after the plug was pulled on him at a memorable Brighton Centre show.

But this time around it wasn’t quite as robust and little sketchy for part of the show.

Particularly so on a song which was a proto-version Accidents Will Happen, which should have stayed in the shadows of the Seventies.

And some rearrangements worked better than others, best of was the partial transformation of I Can’t Stand Up from a Motown stomper into a Stonesy blues-gospel beauty which would have brought a tear to the late Jimmy Miller’s eye.

A mid-set jazz-tinged slowdown gave us a chilling and sparse version of Almost Blue and a reminder of Costello’s ability to metaphorically shrink the biggest of venues into something that feels almost intimate.

It also provided valuable recovery time for all concerned, ahead of a barrage of big tunes.

Kicked off by a spirited charge through High Fidelity, and crowd-pleasers of Oliver’s Army, Alison, Pump it Up, and What’s so Funny ‘bout Peace Love and Understanding, all brilliantly delivered and some reassurance to all convened on Church Street.

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