Upstairs At Three And Ten offers great value for money when it comes to comedy, and this evening was no exception, featuring two very different comedians performing their complete Edinburgh Fringe sets.

White-coat-wearing Rosie Wilby ran through her well-prepared act at a steady pace. Her set was lavishly illustrated with paper cutouts, graphs and charts exploring such concepts as the terrifying lesbian bed death, and props including heart-shaped sunglasses and love hormones, captured safely in colourful test-tubes.

Her earnest demeanour and frequent “Ooh, I know, madam!” banter with members of the audience raised smiles, but while the sheer volume of technical information she conveyed made for a very interesting presentation, it rarely drew outright laughter from the audience.

By contrast, likeable, chuckling Julie Jepson was utterly at home on stage, cracking herself up and drifting into fanciful sidetracks before racing back to her set list for a reminder of her next theme.

Her opening sally reassured an embarrassed gentleman who, confused by her short hair, had accidentally followed her into the ladies’ toilets earlier in the evening.

Making much of her resemblance to long-distance yachtswoman “Sir Ellen MacArthur,” who she referred to as frequently as a theatrical luvvie would name-check Sir Ian McKellen, this rambling and unpredictable set took in family, regional differences, climate change and spirit animals (the “inner badger” of the title).

Her recreation of a German language class where she’d learned to bellow with an Irish accent while her classmates cooed in dulcet West Country tones, brought the house down.