Farce is often dismissed as trivial theatre when, in fact, it requires great skill. Michael Frayn’s masterpiece is possibly the finest example of this genre. It’s surely the funniest, as the gales of laughter throughout Wick Theatre Group’s production proved.

This play within a play, following the convoluted love lives and misadventures of a troupe of actors on and off stage, was a riot of fun throughout. The second act, played backstage in hilarious dumb show, was a masterclass of mime.

The play required a solid, reversible set that was splendidly realised; direction and acting delivering impeccable timing was crucial and achieved seamlessly.

Every member of the fine cast should be singled out for praise but space does not allow. Each actor realised the full potential of their character and contributed to an overall demonstration of ensemble acting at its best. Judith Berril’s caricature of the housekeeper was delightful, while Bob Ryder’s old-fashioned thespian was eccentric, alcoholic and wonderfully understated.

Sophie Lane displayed considerable talent, as well as most of her body, as a hopeless actress. This was “bad acting” of a high quality.