Bright acoustics filled All Saints Church as the Philadelphian’s intimate solo performance made for a relaxing evening. Anyone hoping for a beer-chugging mosh pit would have left disappointed as the audience sat courteously in the pews. A spotlight shone down on a casual-looking chair placed on the stage in front of the altar. A personal feel seemed key to the show.

Kurt Vile varied between two guitars and a banjo as tracks from his 2013 album, Wakin On A Pretty Daze, were performed. Expanding riffs drifted around as vocal phrases were pleasantly repeated before wandering off into harmonious drones. Distinguishing lyrics was a challenge as they seemed to lay far behind instruments in the overall mix.

Attention was drawn to most things other than the performer while the dreamy natural reverb of Vile’s twiddling guitar and hazy vocals peacefully resonated around the room. This was pleasant but the civilized nature of the show seemed to tire a little as the show progressed.

Vile’s passive musical style was warmly complemented by the venue’s tranquil surroundings and, although the respectful mood wasn’t particularly enthralling, the serene atmosphere of the show was aesthetically pleasing.