Did the Accrington Pals have any idea what they were fighting for, or why?
Peter Whelan’s fine play explores the ignorance of Lancashire townsfolk during the First World War and the terrifying consequences of reality.
Harry Atkinson’s atmospheric production shows how war will change lives forever.
But the play is not about blood and battles: it is about contrasts - comedy and tragedy, life and death.
Stallholder May, in an astonishing central role by Louisa Taylor, hangs grimly onto repressive frustration in bitter contrast to the sweet generosity of her friend Rebecca Polling.
Tom and Ralph are bullied at home but find redemption in the camaraderie of conflict.
May, Eva and Sarah find strength and purpose in the absence of the soldiers. Prudence Prescott finds an earthy humour.
Hilariously, Laura Scobie as Bertha refuses the advances of a stay-at-home tramdriver with asthma.
Old and young are contrasted with Reggie and his tough mother, “stay still so I can hit yer” Annie, yet Caroline Lambe finds her underlying vulnerability.
Outsiders are CSM Paul Morley who barks brilliantly without a Lancashire burr and Arthur’s pigeon who foreshadows death from the sky.
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