There was a settee of sorts. Herring stood on it briefly, but most of the time he wandered about with a restless energy. He also shouted a lot, though not in an angry way.

The show title was the starting point for his first routine about misheard lyrics and Our Lord Jesus.

The word 'routine' cropped up regularly throughout. Two of the other routines might have been called Sombrero! A Cure For Sadness and Ted Rogers In Slow Mo.

According to the programme notes this, the 11th show Herring has written in 11 consecutive years, was intended to be a celebration of daftness.

Well, he did stand on a sofa.

He told us it was a clever show, a chance to laugh and learn, and that one of its themes was movement and inertia.

Was he joking? Herring doesn't do jokes. His routines tended to peter out, but there was scattered applause at the end of one, The Man Who Exclaimed Upon Seeing A Woman's Behind.

After numerous sneaky looks at his watch, at the 60-minute marker he said that his child danced in the womb. Herring had cleverly taken us full circle and so the show ended.