TRYING to find a word to describe Akala is difficult: rapper, grime artist, social commentator, poet, educator, activist.

Having spoken out about racism, sexism, class and war, it is undeniable that Akala is a man that makes a lot of sense. But despite being a Bafta and Mobo award winner at 32, his biggest achievement has to be his tireless effort over the last decade to bridge the vast divide between hip hop culture and the intelligentsia.

Founder of the Hip Hop Shakespeare Company, who explore parallels between the works of William Shakespeare and modern day hip hop artists, Akala sets out to make rap an intellectual medium.

His own lyrics are shrewd, hard-hitting and socially conscious.

His 10 Years of Akala show is not only a great exhibition of his influence but a testament to how he has grown as an artist. Accompanying his set is a vast back catalogue of videos clips among which are interviews, lectures and music videos from his early career.

Delivering each poem with a fire and passion his audience have grown to love, his sphere of influence is evident as they chant along to verses attacking capitalism and discrimination.

Standing apart from other musicians by actively standing for something, Akala is a much-needed artist. It’s great to see him back where he belongs – on stage.