I last saw The Ukulele Orchestra Of Great Britain in London two years ago, when my then boyfriend commented that they were too clever for their own good.

At Lewes Town Hall they were back in their element, albeit in a smaller venue, allegedly espousing folk's cause with the aid of such classics as Shaft - or Cecil Sharp as it became known.

No one, from Bill Haley to Splodgenessabounds, was safe from the eight players and their four-stringed instruments.

The orchestra cranked up the Middle Eastern influences of Dick Dale's Misirlou - the theme tune to Pulp Fiction - while Anarchy In The UK(ulele) became a gentle singsong.

But it wasn't all in-jokes and smug knowingness on the part of the audience as we tried to name that tune - there can't have been many in the mature crowd who could identify Teenage Dirtbag by Wheatus.

The orchestra particularly impressed during their demonstration of the plagiarist nature of pop.

In one track, Life On Mars met My Way and Born Free.

In a second, Sympathy For The Devil merged seamlessly with Angels.

Two years is a long time to be without my ukulele fix. But after Saturday's show, I'll be sure to come back soon.