As TV viewers, we are bombarded with images of war.
But rarely do we get to see the effect it has on those who are caught up in the conflict. Helen Nedler's play seeks to remedy that omission.
The action takes place in and around a humanitarian aid camp and tells the story of John, a war photographer suffering from Post Traumatic Stress Disorder, and his relationship with Beth, the camp's director.
It explores their emotions while depicting the horrific conditions they work under and the effect war has on them, their colleagues and the local population. It also takes a hefty swipe at the cynicism of the media.
What has evolved through improvisation is a powerful and moving work which takes the audience into a cleverly created simulation of a war zone and leaves them in a state of stunned silence.
Comments: Our rules
We want our comments to be a lively and valuable part of our community - a place where readers can debate and engage with the most important local issues. The ability to comment on our stories is a privilege, not a right, however, and that privilege may be withdrawn if it is abused or misused.
Please report any comments that break our rules.
Read the rules hereComments are closed on this article